“Thou Shalt Not Destroy Good Old Work - Or Houses”
Here’s the Reader’s Digest version:
Local Arts Center buys 105-year-old house in historic river town of Mathews, Virginia.
After a careful analysis, officials of this Arts Center determine that the old house they bought is an old house and must be demolished.
Perhaps the directors need to read this blog: “Thou shalt not destroy good old work.”
“Thou shalt not destroy good old work” is the first commandment in old house ownership.
The Bay School Community Arts Center paid $80,000 for the L. M. Callis house in March 2015, for the purpose of expanding their enterprise. When the property (and its one-acre lot) was purchased, the Gloucester-Mathews Gazette-Journal ran a nice article, where they quoted Arts Center Business Director Debbie Brown as saying that there were “many ideas” for the best use of the house and land.
A subsequent article which appeared this week in the Gloucester-Mathews Gazette-Journal (February 17, 2016) said that the Bay School Community Arts Center was now planning to demolish the house.
Arts Center spokesman Kelsey Desmond said it was a “difficult decision” made after they realized that the house needed insulation, roof repairs, plumbing upgrades, and heating and air conditioning systems. Plus (and maybe this was the straw that broke the camel’s back), the house had several broken window panes.
Many in the community remain hopeful that the Arts Center will have a change of hearth on this one. A contractor and two local architects have written letters of support, urging the Bay School Community Arts Center to preserve the house, as it is a contributing structure, built in 1910 by a well-known businessman, and represents some of the finest architectural features of its time (early 1900s). After inspecting the L. M. Callis house, a contractor stated that it is “an excellent candidate for refurbishment.”
Every now and then, Norfolk Historian Bill Inge does a program called, “Lost Norfolk” which features dozens of pictures of the most beautiful old houses and buildings which are now gone, thoughtlessly demolished in the dark name of progress. At each slide, the audience first gasps and then sighs when they see the majesty and the sheer number of architectural gems that were razed, reduced to a pile of debris at the local landfill.
Fortunately, the majority of those dwellings were lost pre-1980. By the 1980s, most communities realized that in destroying architecturally significant properties, they were ripping out the very soul of their community and the beating heart of their history, and the wanton destruction stopped.
That’s one of 27 reasons it surprised me to hear that the L. M. Callis house is facing the gallows. This is 2016. We know better than to continue tearing down these irreplaceable gems. Perhaps the Arts Center needs to see these old houses as I see them: Breathtaking massive sculptures, painstakingly carved out from Cypress, Cedar, Oak and Pine. These glorious and massive wooden sculptures come with this immeasurable bonus: We can live within them, and experience these glorious artistic forms from the inside-out.
In my opinion, tearing down a grand old house is no different from purposefully destroying historic artwork.
And don’t get me started on the recycling issue. More than 40% of all the detritus in American landfills is construction debris. So while the Arts Center may place a few recycle bins at their shiny new facility, is that really going to counteract the effect of sending 350,000 pounds of irreplaceable first-growth lumber from virgin forests to the landfill?
Thanks to Lori Jackson Black for supplying the photos.