To begin, here's an Ethel in its native habitat: Penniman, VA. These homes were built in Spring 1918 by DuPont to house the munitions workers at the plant. While built based on DuPont plans, the construction of these homes was actually funded by the U. S. Government. After The Great War ended, the government sold them off as salvage in an effort to recoup some of their investment. (Photo is courtesy Hagley Museum and Library.)

Here's an "Ethel" in 1948. In the back yard, you can see the rear of another Ethel. And check out the sweet ride in the driveway. When photographed, this Ethel was a mere 30 years old, and had lived in Riverview for 25 years.

Some of the photos were crisper than others, and some photos were newer than others. Wish I knew what kind of car that was (right corner). That might help "date" the photo.

This Ethel is looking so pretty and pure, but then again, it's still so young.

And this Ethel has a flower box. How sweet is that? Pretty house!

The Ethels looked a lot better without substitute siding.

Fine-looking house, and check out the curious housewife.

I recognize that look. It's a "what-the-heck-are-they-doing-photographing-my-house" look.

You can see the original railings on the other side of the screened porch.

People loved their porches in the days before air conditioning.

And there's a curious feature I've noticed in these vintage pictures: There's additional wooden siding below the home's skirt board. I suspect that this has something to do with the house being built elsewhere and moved to this site, but exactly what it means is a mystery.

Here's another close-up on the extra clapboards *below* the skirt board. I don't recall ever seeing anything like that before, and I've seen a lot of pre-1920s housing.

Another close up, and this one has cedar or cypress shakes to fill in the gaps. On most frame houses (such as our Ethels), the skirt board is the bottom-most vertical trim piece. Why did they add the extra trim?

In these Penniman photos (from 1918), there is some skirting but it's vertical planking and is used to keep the rodents and wind out of the crawl space. That extra siding below the skirt board was done at the Riverview site for reasons that elude me. (Photo is courtesy Hagley Museum and Library.)

Mr. Hubby has mixed feelings about spending his lunch hour at City Hall, helping the crazy wife organize files and study old pictures, and yet, he remains a good sport about it all.

While looking through the 1922 "Colonial Echo," I found a most interesting picture!

The full page from the 1922 "Echo" shows the Theta Delta Chi gang, seated in front of their freshly built Aladdin Colonial! Wouldn't it be interesting to know if these fellows assembled that Aladdin kit house on their own!

What a beautiful house! The Colonial was first offered in 1915. The image above is from the 1922 "Colonial Echo," so it's possible that the house was newly built (which may be why it merited its own photograph). I wonder how long it was used as the house for Theta Delta Chi?

The Aladdin Colonial, as seen in the 1919 Aladdin Homes catalog.

Here's an Aladdin Colonial in Roanoke Rapids, NC.

Rachel Shoemaker, researcher extraordinaire, found this picture (also at archive.org) of the Theta Delta Chi boys gathered around the front porch of their newly built Aladdin Colonial in 1921 (from "The Colonial Echo" 1921). In prior years, the frat boys were photographed in front of a different (older) house. I would love to know - did these guys BUILD this house? What a pity that W&M saw fit to destroy this house in 2004. An aside, with 15 minutes of searching the yearbooks, Rachel figured out that this house was built in 1920 or 1921.

In addition to the Aladdin Colonial shown above, Williamsburg also has a Sears kit home, "The Oak Park" (shown above). (Vintage image is from the 1928 Sears Modern Homes catalog.)

And just down the street is this Wardway "Mayflower." How apropos!

Here's the testimonial that Rachel found in the 1930 Sears Modern Homes catalog.

I have a feeling that the Zvanovec's are no longer extending an open invitation to visit their home. Nonetheless, it sounds like they really did love their home, and were very proud of it.

Close-up of this beautiful Sears Elmhurst in Flushing, NY. Look at the beautiful stone work on the front porch.

And here's the Elmhurst recently discovered in St. Louis.

Here's an Elmhurst in a Chicago suburb (originally discovered by Rebecca Hunter). Notice this house has the decorative blocks under the faux half timbering on that front gable. These blocks are missing from the Elmhurst in St. Louis and Flushing, NY. This Elmhurst and the one in Flushing are both brick veneer, whereas the one in St. Louis is solid brick. As mentioned in the prior blog, solid brick is very unusual on a Sears kit home.

Is this a Sears Elmhurst? I think it's likely but I'm not certain. It's in Rocky Mount, NC where I found an abundance of kit homes from both Sears and Aladdin. It's not a spot-on match but it's darn close! This is such an unusual house, I'd be inclined to say it probably is an Elmhurst. Probably. Notice, those decorative blocks are in place under the front gable.

The Elmhurst was "featured" in the 1930 Sears Modern Homes catalog and had a two-page spread, including this colorized image. Notice, the blocks are shown in the catalog image.

The Sears Elmhurst was a classic (and classy) Tudor Revival with a "half-timber effect" on the second story. Inside, it had three bedrooms and 1-1/2 baths. The house in St. Louis is in mostly original condition.

The living room and dining room were spacious. The kitchen and lavatory were not.

The cover of the 1932 "Homes of Today" showed this fetching entryway, which is from the Elmhurst. It's kind of a "Twilight Zone" doorway, out of the hubbub of busy city living and into another dimension of peace and joy and "the satisfaction that comes from building your own home" (as Sears promised in their literature).

In the 1930 Sears Modern Homes catalog, the Elmhurst was given a two-page spread.

Even in the simplified line drawings (from the 1930 catalog) the Elmhurst looks quite elegant.

The Elmhurst in St. Louis is a perfect match to the catalog image. Just perfect.

The St. Louis house is being faithfully restored by its current owners, and it's a real beauty.

Close-up of that entryway shown on the front cover of the 1932 catalog.

And a fine side-by-side contrast of the St. Louis Elmhurst (left) and the entryway shown in the catalog.

The 1932 "Homes of Today" Sears Modern Homes catalog showed this view of the Elmhurst built in Ohio.

The Elmhurst in St. Louis is a good match to the black/white image above.

The "Elmhurst built in Ohio" is shown here on the right, and the Elmhurst in St. Louis in on the left. The details are perfect with two lone exceptions: The front door is hinged different in the St. Louis house, and that decorative "S" is missing from the base of the wrought-iron staircase railing (which looks like it'd be a knee-buster anyway). The flip-flops are missing from the Elmhurst in Ohio.

La Tosca door hardware was a very popular choice in Sears Homes.

The LaTosca door hardware, as seen in the Elmhurst and as seen in the 1928 Sears Modern Homes catalog.

The moldings and trim in this Elmhurst are birch, according to the owner. Based on the research he's done, I'd say he's probably right. The owner is doing a remarkable job of restoring the inherent beauty of all the original wood trim throughout the house. The patina and beauty of the natural wood finish on this phone niche isn't accurately represented by this dark photo. While walking through the house, I couldn't help but to "reach out and touch" the beautiful wood trim. It really is that beautiful.

The 1930 Sears Modern Homes catalog showed this view of the front door (interior). Note that the stylistic "S" is missing from the wrought-iron railing in this picture.

There was a wall that blocked my shooting the door and staircase from the same angle as shown above, but I got pretty close. This house was a one-hour trip from my brother's home in Elsah, IL (where I was staying), but once I saw the inside of this house, I was mighty glad I'd made the effort. In every way that an old house can be truly stunning, this house *was* stunning. It's a real gem in the heart of St. Louis.

Comparison showing the 1930 catalog image and the real live house in St. Louis.

From this view (near the landing), you get a better idea of the size of the hallway.

The kitchen of the Elmhurst (as shown in the 1932 catalog). This appears to be a photo, and the picture was taken by someone standing with their backside leaning hard against the right rear corner of the house, looking toward the door that opens into the dining room. Notice the La Tosca hardware on the door.

The Elmhurst's kitchen today, from that dining room door, looking toward the right rear corner. While I'm a big fan of all things old, even I'd agree that the kitchen needed a little bit of updating for the 21st Century.

Most Sears kit homes had maple floors in the kitchen and bath (underneath the floor coverings). The owners of the Elmhurst tried to restored the maple floor in their kitchen but these floors were really intended to be used as a subfloor, not a primary floor.

The fireplace in the living room has the same square slate tiles as seen on the front porch.

This over-sized landing window was another lovely feature of the Elmhurst. As seen from the outside, this is the tall dormer window just to the right of the front porch (as seen from the street).

Downstairs looking up at the staircase window.

A distinctive feature found in two-story Sears kit homes are these plinth blocks. These square blocks were used to help the novice homebuilder cope with complex joints. The landing of the Elmhurst had three of these plinth blocks on one landing. I do believe that that's the most plinth blocks I've ever seen in one kit house.

The plinth block at this juncture is actually two-steps tall.

While doing some work on the home, the owner found this business card inside a wall. I've seen a lot of very cool ephemera in my fun career, but this is one of the best. There were only 40 Sears Modern Homes "Sales Centers" in the country and there was one in St. Louis. Folks could stroll into these storefronts and get a first-hand look at the quality of framing members, millwork, heating equipment and plumbing fixtures. Apparently Miss Manning visited the Sears Modern Homes Sales Center and had some discussion with Marcelle Elton about her new Elmhurst.

The home's current owners found this tag attached to a cast-iron pipe inside the kitchen wall. It shows that the home's purchaser was a "Miss Margaret Manning" of Clayton, Missouri. For those interested in genealogy, I would LOVE to know where Miss Manning lived before she purchased the house in St. Louis and what she did for a living. Lastly, I'd also be interested in knowing how long she lived in this house.

Close-up of the tab shows a return address of 925 Homan Avenue, in Chicago, Illinois.

From all angles, the Elmhurst is quite stunning.

On the inside, those dormers look like this.

The Elmhurst in St. Louis is an enigma for several reasons. One, this is not a frame house with brick veneer (like every other "brick" Sears kit house I've ever seen). This house is solid brick, and when the owner remodeled the kitchen, he said the exterior walls had furring strips (typical of a solid brick house). And the flashing and original gutters were copper. When built, the house had a tile roof. These are all significant upgrades and probably cost the home's first owner quite a bit extra.

This photo was taken by the home's current owner. You can see a remnant of the tile roof on the ridge of the house. And if you look closely, you can see the copper flashing around the chimney.

There's another Elmhurst in a Chicago suburb that Rebecca Hunter found. This Elmhurst has concrete sills (as you'd expect to see on a kit house, because it's simpler than laying brick), but the house in St. Louis had *brick* sills.

The Elmhurst was beautiful, but not very popular. It was offered from 1929 to 1932.

And look what my buddy Rachel found in her 1929 "Brick Veneer Honor Bilt Homes" catalog! It's an Elmhurst that was built in Long Island, NY. And Rachel even found the house - as it stands today - in New York! Who wants to get a photo of this house? :)

June 28, 1924, a tornado formed over Sandusky Bay and eventually came ashore in Lorain, Ohio. More than 500 homes were destroyed and about 1,000 buildings suffered damage. The storm caused 85 deaths, and 72 of those deaths occurred in Lorain. Fifteen souls perished when the State Theater in Lorain collapsed. In today's dollars, the damage was well more than $1 billion. Later, it was estimated that this was an F-4 tornado, and 89 years later, it remains the 4th most deadly tornado ever experienced in northern states. Photo is courtesy Dan Brady and may not be used or reproduced without written permission.

And look closely at the house featured on this postcard: It's an Aladdin Villa. Photo is courtesy Dan Brady and may not be used or reproduced without written permission.

Folks must have been in shock as they wandered around, horrified at the amount of destruction. The tornado occurred in June, and yet look at the clothing. Judging by these photos, the storm ushered in some cold weather. The houses around the Villa were mostly leveled, but the three-story Villa is mostly standing (sans roof and attic). Photo is courtesy Dan Brady and may not be used or reproduced without written permission.

The Villa was first offered in the 1916 Aladdin catalog. That means that the Villa in Lorain was less than eight years old, at the very most, when it was severely damaged by the Lorain Tornado of 1924.

In addition to being "beautiful and modern," it was pretty sturdy.

The Villa was more than 4,00 square feet, not including the attic. The sunporch has a fireplace.

The Villa was Aladdin's finest home, and several interior views (line drawings) were featured in the 1919 catalog.

The living room was 26-feet long and 16-feet wide.

The dining room must have been difficult to decorate, with two sets of french doors (into the reception hall and breakfast room), three tall windows and a swinging door into the kitchen.

The Aladdin Villa, as seen in the 1919 catalog.

If you look closely at the sun porch here (facing the camera), you can see the masonry fireplace in the center of the room. For all the sadness and horror occasioned by this terrible storm, this real-life example proved pretty clearly that Aladdin Homes were strong, sturdy, well-built homes. Photo is courtesy Dan Brady and may not be used or reproduced without written permission.

Today, this house is a shining jewel in Lorain, Ohio and there's not a hint that anything bad ever happened to this almost-100-year-old Villa. Photo is copyright 2012 Dan Brady and may not be used or reproduced without written permission.

Just for comparison, I've included a Villa in Scotland Neck, NC.

I have a special fondness for Lorain, Ohio. Sometime in 2003 (as I recall), I visited Lorain, Ohio courtesy of Valerie Smith at the Lorain Public Library. I had a wonderful time and I must say, it was quite a thrill to see my name "in lights" on the historic Palace Theater! And while in Lorain, I was also the guest of the Kaczmarek family. Lawrence Kaczmarek built a Sears Westly in Lorain County in 1919.

I met the Kaczmarek family when Richard Herman, a descendent of Lawrence Kaczmarek (misspelled above in the testimonial) sent me a letter shortly after my first book was published in 2002. Richard, if you're reading this, I wish you'd contact me. I'd love to hear from you again! Sadly, Mr. Kaczmarek's Westly was torn down in the 1960s (as I recall) to make way for a bridge expansion project.

In the 1919 Sears Modern Homes catalog, this front page featured several communities where large numbers of Sears House had been sold. The red arrow shows the houses built by Sun Ship. So that's our first clue: The houses were 100% finished by late 1918.

Zooming in a bit, you can discern more detail. The neighborhood was three streets wide, but there's a large "green space" between the two rows on the left, and there appears to be another cluster of houses on the right, in the rear. So that's our second clue: The neighborhood was three streets wide, with one street some distance from the first.

If you zoom in on the center, you can count the houses in the middle row. I see 10 houses, two Rositas and two Arcadias (models of Sears Homes). More detail on these two models below. And that's our third clue. Look at the roofline for this row. Front-gabled with a shed dormer (#1), very small house with a hipped roof and a porch with a tiny shed room (houses #2 and #3), and approximately seven more front-gabled houses with a shed dormer pointing in the other direction (away from the camera).

There were six homes on the left side, and I do believe that's an outhouse at the end of the row. And I don't *think* the outhouse is there today. However, here's another clue. Side-gabled bungalow (first) with dormer facing the street, followed by four front-gabled bungalows with dormer facing the outhouse. Hipped-roof house with small shed roof on porch is at the end. And look at the placement of the sidwalks here, too. That probably hasn't changed TOO much.

These houses on the right were really puzzling me, but I think I finally got them figured out. More on that in a moment.

The first house on the left side of the picture is easily identifiable as a Sears Arcadia. I believe the house next to it (and the subsequent four houses) are also the Sears Arcadia, turned 90 degrees. At the end, there's a small house with a hipped roof. Keep on scrolling down and all will become clear.

The Sears "Arcadia." Except for the lady sitting on the front porch, it's a perfect match.

And now look at the middle row. That's an Arcadia turned 90 degrees on the lot. The dormer was only present on one side, and for the rest of the Arcadias, the dormer is facing away from the camera. But look at those little houses with hipped roofs! What might they be?

I suspect that these hipped roof houses in Chester, PA are the "Rosita" (shown above). This was a very small house (and also bathroom-less, just like the Arcadia). The panoramic image first appeared in the 1919 Sears Modern Homes catalog, and both the Rosita and Arcadia were offered in the 1918 catalog, so that's a good fit.

Look at the floorplan for the two houses. The Rosita is on the left; the Arcadia is on the right. This is a minor detail, but look at the placement of the chimneys. The panoramic view shows that the chimneys are pretty closely aligned. On the Arcadia (right), the chimney is 9'4" from the home's rear. On the Rosita, it's 11'1" from the rear. That's *about* the representation shown in the old panoramic view. And it's a quirky feature, but look where the front door is on the Arcadia. It enters into the dining room! And, there is no bathroom in either house.

And the Arcadia floorplan really did lend itself to being spun 90 degrees on the lot. Here, I've taken the floorplan and turned it 90 degrees, and I've also added a doorway into the front bedroom, and moved the front door from the dining room (which is darn quirky) into the living room.

So here's what you're looking for: The Arcadia (left) and the Rosita (right). Note, a lot of things about a house can change through the years, but the chimney placement and roofline usually do not change. When you find these houses, they should all still be lined up, much like they appear in the vintage photos above. You should be able to look at them on Bing Aerial photos and count the rooflines - five side-gabled, two hipped, etc., and it should be a spot-on match to what is shown above in the street (panoramic) shots.

Last but not least, what model are these houses on the right? I puzzled over them for some time. The first house in this row is an Arcadia. Notice how the next house juts out a bit further than the Arcadia? I think to "mix it up a bit," that they stuck a small front porch on an Arcadia turned 90 degrees. The proportions are right and the placement on the windows (on the side) is right. In Carlinville's "Standard Addition" (where Standard Oil built 156 Sears Homes), those houses also had minor architectural changes, so that the houses didn't look just the same.

Here's a Rosita "in the flesh" in Deerfield, VA. Somewhere in Chester, Pennsylvania, you have a whole neighborhood of these, and the Arcadias, built by Sun Ship Building Company about 1918, but where? Photo is copyright 2012 Linda Ramsey and may not be used or reproduced without written permission.

Okay, actually this is a simple mailer that Aladdin sent out to their customers the late 1910s to let people know that their Aladdin catalog was on its way. It was so cute I decided I could use it here.

Aladdin was a bigger company than Sears (in terms of mail-order kit home sales). Here in Southern Virginia, I've found far more Aladdin Houses than Sears. While Aladdin was based in Bay City (Michigan), they had a very large mill in Wilmington, NC. The red dot shows where Louisa is located. Or that's what my husband claims. I have plenty of trouble with maps that have lots of detail. Maps like this leave me feeling like I need to lie down for a bit.

One of my favorite finds in Louisa was this Aladdin "Cape Cod" (model name).

Ooh la la, what a pretty house! And it's in Louisa!

Also found an Aladdin Madison! (From the 1937 catalog)

The front entry has been squared up and enclosed, but other than that, it's a good match!

My favorite find was the Aladdin Kentucky! (From the 1915 catalog).

This was a spacious and fine home.

Of all the houses I've found in my house-hunting career, this beauty is certainly one of my Top Ten Favorites. It looks much like it did when it first appeared in the 1912 Aladdin Homes catalog. Original windows, original cypress clapboards, original columns and porch. Good golly, what a house.

Man oh man, what a match!

I'll also be talking about what I found in nearby communities, such as this Aladdin Shadowlawn in Orange!

And what a fine-looking Shadowlawn it is.

The Wexford, from the 1936 Sears Modern Homes catalog.

Mineral is best known as the epicenter of the August 2011 earthquake. It's also the home to a perfect Sears Wexford. The house was "reversed" from the original image shown in the catalog, which was a common option.

And look what I found in Charlottesville!

It's a picture-perfect Sears Rockford! Charlottesville has several kit homes that I discovered during a quickie drive-through. I'm sure there are many more just begging to be found.

The Magnolia appeared on the cover of the 1918 Sears Modern Homes catalog. These specialty catalogs were expensive to create, publish and ship. Sears did not send out new catalogs each year to last years' customers. (There was a lot less waste in the world a scant 80 years ago.) These catalogs were shipped out upon request. And they were not automatically discarded when the year passed. In fact, 90+ years later, many of these catalogs are still kicking around (as is evidenced by activity at eBay).

Lisa Tabor (owner of the Magnolia in Syracuse, NY) graciously shared this image with me. She has the original blueprints for her Magnolia, framed and hanging in the entry foyer. This picture shows that her blueprints were drawn on March 25, 1921 for the home's buyer, Mr. Edward Knapp. This is for a house that was first offered in the Spring of 1918. If the blueprints were individually drafted for every Magnolia, it would be very easy for Sears to offer the Magnolia in later years. Photo is is copyright 2013 Lisa Tabor and may not be used or reproduced without written permission.

I've taken this price sheet (1921 catalog) and sliced the horizontal info into two segments so the print won't be so tiny. The hot water heating plant alone would add $921 to the price. Add in some plumbing ($622) and oil shades ($106) and that's another $738. In 1922, the Magnolia was offered for $5,849. That, plus the heat, plumbing and shades takes you to $7,498.

Here's your chance to peak in the windows of the Magnolia! (Image is from the Ladies' Home Journal, 2/1911.)

As mentioned, everything in this house is picture-perfect. Every room is gorgeous and well-appointed and beautifully decorated. The entry hall is flanked by french doors leading to the living room (right) and dining room (left). The oak floors were replaced several years prior. Pulling off a floor vent, I found four layers: The original diagonal planking (subfloor), original tongue and groove oak floors, a layer of 3/8" plywood and it was topped with tongue and groove white oak floors. That's more than 2" of solid flooring. This house could double as a bomb shelter.

The fan lite over the front door has lead muntins, not wooden, but they're probably original. The catalog image for the Magnolia shows wooden muntins (all four years), and yet the Magnolias in Canton, Ohio and Lincoln, Nebraska have the lead muntins. Was this an optional upgrade? Or a clue to when it was built? I'd love to know!

The living room fireplace doesn't match the fireplace mantel shown in the catalog, and yet it's a perfect match to the mantel shown in the pictures of the Magnolia in Lincoln, Nebraska.

Close-up on the fireplace. The marble (surrounding the opening) was added. The hearth is also marble and not original. When built, it had a brick hearth and brick flanking the opening.

These french doors lead to a spacious sunporch. Note the many sconces.

Detail of the "ingleneuk" (or "inglenook") as we Americans are wont to say). Cozy, practical AND historic!

As mentioned earlier, every corner of this house looks like something out of glossy magazine. The french doors and hardware are either original or an accurate reproduction.

Another view of the Magnolia's living room.

A common feature found throughout the Magnolia is what I call, "the fake transom." I've never seen anything like this in any other Sears House. At first blush, you'd think this was a transom that had been filled in, but in fact, the house was built this way by design.

A view from the living room into the foyer and dining room.

There are a lot of windows in this dining room. In fact, I had a time getting the lighting right.

Hubby admires the beautiful windows in the dining room. God bless the folks who restored this house several years ago - they saved the original wooden windows!

Close-up of the intricate moldings and millwork.

A view from the dining room.

A view from the landing. When built, those spindles were stained with varnish to match the banister.

In the floorplan, a pair of french doors lead out to a small balcony on the home's rear. It seems likely this house was built with the windows in place of the french doors.

The original door to the third floor (attic) was in the home's main hallway, but was moved around the corner to the small hallway that leads to the family bathroom. This was another very smart move, as it took out a landing and a tight 90-degree turn on that narrow attic staircase. Shown above is the doorway to the linen closet (next to the family bathroom). In the 1950s, a small shower stall was added to the bathroom, and that took out 90% of the depth in this linen closet, leaving only the small space you see above. This was turned into a laundry chute , which is also a thoughtful design. If you study the floorplan (shown further down), this all becomes clear.

The floorplan shows these built-in cabinets in the master bedroom dressing room. Inside these cabinets are a "special shelf" for hats. In 1924 (or 25), there was a small cast-iron pedestal sink in the corner.

The walls on the dressing room have this faux subway tile. In fact, it's plaster that's been etched with lines and topped with a piece of trim. This was commonly used in bathrooms of the late 1910s and early 20s. I'm not sure why they used it in the dressing area.

If you look at the floorplan, you'll see that this corner of the dressing room shows a small sink. Seems like an odd spot for a sink! To the left of the picture, you'll see door trim, which is the right edge of the door that leads out to the second-floor balcony (on the front). Curious placement!

If you had x-ray vision, you could look through this wall (shown above) and see the exact same sink on the other side of the wall. With all the plumbing (supply lines and drain) just inside the wall, adding another sink on the other side was pretty easy. This sink (shown above) is underneath one of the little windows that flanks the second-floor balcony on the home's front. It sits inside a spacious walk-in closet in the other front bedroom. This sink has been added, and the medicine chest shown here was originally on the OTHER side of the wall. It was moved here for reasons I can't begin to understand.

As per the original floor plan, there is a permanent staircase to the attic, behind a door off the second-floor hallway. This attic was finished off and (like the rest of the house) is in beautiful condition. This dormer window is on the front of the house, and you can see a piece of the porch balcony (on the roof) through the small window.

The original kitchen stopped at the end of that tall cabinet in the right of the picture. The entire 40-foot expanse of the back of the Magnolia was enlarged by about 10-feet, which dramatically increased the floor space of the kitchen. In addition. the interior staircase (which lead from the kitchen to the servant's quarters) was also removed which added about four feet of width to the Magnolia's kitchen.

The kitchen, as seen from the Butler's pantry.

The den in the Magnolia was a mere eight feet deep. Pretty miserable. The 40-foot wide addition across the back of the Magnolia opened up the den quite a bit, too. The original fireplace was replaced with a new masonry fireplace which was added on to the existing firebox. Notice the depth of the wall beside the fireplace.

Incredibly, the butler's pantry is mostly original.

Base cabinets in the butler's pantry.

Study this floorplan for a bit and you'll soon figure out all the changes that were made to the West Virginia Magnolia.

The second floor is pretty darn busy. Check out the sink in the dressing room and you'll see how easy it'd be add another sink to the closet in the other front bedroom.

Finding marked lumber in the basement proved a bit difficult. Most of the basement was finished, and there were only a few places were framing members were accessible, such as this space above the old coal bin. Secondly, the basement has a ceiling height of nine feet, so we were looking way over our heads! Looking at this piece, I thought I saw a number, but the wood was so dark it was tough to be sure. Do you see the number?

The homeowner had two great ideas. One, he fetched us a small step ladder so we could get a little closer to the lumber. He also suggested we take a rag and wipe off the coal dust. Voilà! Now we're trying to figure out if that's a "C" or a "G"! We know that the Magnolia was also offered as a "plan," so finding these marked beams was a nice affirmation that this was "the whole kit and caboodle".

In the knee walls of the attic, I also spotted a mark!

It appears to say "A 155."

The Magnolia's owner sent me a photo of his beautiful house, taken last year during a West Virginia snow storm. It's almost too perfect to be real. For my next birthday, I think I'd like a cake done up to look just like this.

The Magnolia as it appeared in the 1922 catalog.

Many thanks to the homeowner for allowing me to spend two glorious hours at his beautiful home, examining it from top to bottom. If a mother was allowed to have favorites, this would be one of my favorite homes.

The 1933 Sears Modern Homes catalog was a tiny little thing, about the size of a small index card. Thanks to the hole on the cover, you can see the copyright date (bottom of photo). The 1932 and 1934 catalogs were full size catalogs (approximately 8-1/2" by 11"). The 1933 was the only "small" catalog.

Thanks to tiny print, the copy writers managed to squeeze a lot of info onto the page. In fact, the major difference between the diminutive 1933 catalog and the full-size catalogs was text. Sears copy writers were far less loquacious in 1933. Shown above is The Schuyler with its "Historic Colonial Charm."

The house has a dining room and a diner (which probably had space for a breakfast nook). My only question is, who drives a car shaped like a shuffleboard? Or was a dedicated "shuffleboard room" a suggested use for this space? As a garage, it was ideal for a Mazda Miata or Toyota Yaris. An absolute minimum today for a one-car garage would be 12-feet by 20-feet, and even that size means to have to eject your passengers before rolling into the garage.

The Schuyler had many very progressive concepts for an early 1930s "kit" home. The master bedroom had a private bath, and two spacious closets. Even the study has a spacious walk-in closet. The house had 2-1/2 bathrooms which was quite unusual for 1933.

The Sears Schuyler, as seen in the 1933 catalog.

The Sears Schuyler with its attached garage. Would you ever have guessed this is a Sears kit house? And do the owners know that their house was sold by Sears Roebuck? Photo is copyright Lara Solonicke 2012 and may not be used or reproduced without written permission.

The Sears Bristol, offered only in 1933. Love the inset dormers! However, this is a not-so-great design because these type of dormers ALWAYS leak.

You may notice that there's a lot of flashing around those inset dormers on this "Bristol." And while this model does not have the garage now, it looks like there was a garage door in that space when the house was originally built. See the strips of aluminum siding tucked under the garage-width picture window? Photo is copyright Lara Solonicke 2012 and may not be used or reproduced without written permission.

Close-up on the Bristol's former garage door. It's likely that, when first built, the Bristol had a garage. Photo is copyright Lara Solonicke 2012 and may not be used or reproduced without written permission.

The third house in our trifecta is the Sears Webster (1933).

This Sears Webster is distinctive, with the unusual window arrangement and the jettied second story. Was this the only Sears Webster built? It's certainly quite possible! Photo is copyright Lara Solonicke 2012 and may not be used or reproduced without written permission.

And if you zoom in on this large bay window, you'll see that this house also started life with an attached garage, and today, there's a a grade-level room in its place. The house is brick (painted), but under the bay window, it's either wood or aluminum siding. It'd be interesting to see if there's a curb cut on the street for a driveway (in front of this window). If not, it's possible that this "modification" was done when the house was built. Still, in that these were models for Sears & Roebuck, it seems likely the homes would have built "according to plan." Photo is copyright Lara Solonicke 2012 and may not be used or reproduced without written permission.

A price sheet from the 1933 catalog shows that the Webster and Schuyler were among their finest and most expensive. The prices shown above (Schuyler - $2,458 and Webster - $2,658) were for the plans and materials. The price that Lara quoted (The Schuyler for $14,900 and Webster for $15,300) included the lot and all construction costs. In the 1919 catalog, Sears stated that a completed kit home would cost about 2-1/2 to 3 times the cost of the kit. In other words, a $2,000 kit house would cost you about $6,000 when all was said and done. By 1933, the factor had jumped to about six times the cost of the kit. ($2,458 x 6.0618 = $14899.)

In the movie, "It's a Wonderful Life," the real heroes are the people who kept this little Building and Loan afloat, enabling countless residents to become homeowners.

George realized he had a wonderful life because he had touched so many people's lives, enabling them to become homeowners. The angel ("Clarence") showed George that Bedford Falls would have collapsed into blight had it not been for Bailey Brother's Building and Loan.

The value of homeownership was also touted in the front pages of the Sears Modern Homes catalog (1921).

Father is throwing out rent receipts - because they're worthless - whilst dreaming of his very own home.

Meanwhile, Father and Mother are dreaming of owning their very own Sears Hathaway. Even the little girl is lost in bliss! Is there a Hathaway in Lima, Ohio? It'd be fun to know!

A real live Hathaway in Hampton, Virginia (Old Wythe section).