The Ferndale was only offered for two years, 1929 and 1933. It's shown here in the 1929 catalog.

Those dark shutters are not only pleasing, but functional!

It tickles me that the tub on the Ferndale juts out in this floorplan.

It is indeed a "charming" little house.

And thanks to Mrs. Bethke, it's still in mostly original condition, looking much like it did when built in 1931. Will the new owners take good care of it, and preserve the original windows, siding and shutters? We can only hope. Photo is copyright 2013 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Check out the detail around the front porch (1929 catalog).

Picture perfect! Looks just like the catalog. Photo is copyright 2013 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Now it's for sale, but 80 years ago, Mr. and Mrs. Bethke bought it as a 12,000-piece kit from Sears and Reobuck, and then built their own home. Very impressive. Photo is copyright 2013 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

A view of our darling Fernwood from the other side. If you look at the floorplan above, you'll see it's a perfect match. Photo is copyright 2013 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Berwyn as seen in the 1928 catalog.

And here's a perfect Berwyn (in stucco) on Noon Street. Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

The Maytown was -- as the ad promised - a big seller.

The Maytown in Staunton overlooks Gypsy Hill Park.

The Wilmont was not a popular house (shown here in the 1920 catalog).

And yet, is this a Wilmont in Staunton? I've puzzled over this house for close to an hour, and I'm still undecided. That dormer window on the side is pretty distinctive. I'd love to see the inside of this house. That would help me figure it out once and for all!

The Wardway Cordova is another very distinctive house.

And here's one in Staunton. Yes, it's a little rough around the edges, but it's still standing! Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

The Sussex was offered by Gordon Van Tine (based in Davenport, Iowa). The image above is from the 1929 Gordon Van Tine catalog.

And here it is, looking picture perfect! What a fine-looking Sussex it is, too! Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

My oh my, that's a sweet match!

The Gordon Van Tine "Roberts" (shown above) was a hugely popular house.

And here's a perfect Roberts on North Augusta (Staunton). Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

The Aladdin Plymouth was a classic Dutch Colonial.

And here's a beautiful example of the Aladdin Plymouth.

In addition to kit homes, Staunton has a few "Plan Book" houses. Plan book homes were different from ktt homes, because with a plan book house, you purchased the blueprints and a detailed inventory that showed you precisely how much lumber you'd need to order for your house. With kit homes, the lumber was included. Plan book houses were quite common in the 1920s and 1930s. This model was "The Mayfield," (offered in a plan book titled, "Harris, McHenry and Baker").

It's hiding behind that tree, but you can still see this is a Mayfield. Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

Both of Staunton's Mayfields are painted the same color.

The Genessee was another plan book house found in the Harris, McHenry and Baker planbook.

And here's a picture perfect Genessee on Straith Street in Staunton. Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

The Dover is one of my favorite Sears Homes. Cute, practical and easy to identify!

Sadly, I did not visit nearby communities in Staunton during my visit there in mid-February, but I found this house while I was driving via Google Maps. Only a tiny part of Weyer's Cave is mapped (with street views on Google), and this Dover is on the main drag. Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

The Gladstone was one of Sears "Top Ten" most popular homes (1916 catalog).

It's been added onto, and yet I'm wholly confident that this is a Gladstone in Weyer's Cave. It's within 1/4 mile of the Dover shown above. Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

In all my travels, I've never seen a Sears Rosita (from the 1919 catalog).

Linda Ramsey discovered this Sears Rosita in Deerfield, Virginia (near Staunton), and it's in original condition - a very rare find! Rositas were "Strong and Graceful" (sort of), but they were very simple and modest homes, which makes them difficult to identify and very prone to extensive and insensitive remodeling. To find this 94-year-old house in such pristine condition - and looking just like the old catalog page - is a real treat! Photo is copyright 2013 Linda Ramsey and may not be used or reproduced without written permission.

The Sears Crescent was a very popular house for Sears (1928 catalog).

Linda Ramsey also discovered this picture-perfect Crescent in Verona (also near Staunton). And what a perfect match it is! Photo is copyright 2013 Linda Ramsey and may not be used or reproduced without written permission.

And according to Aladdin literature, there's an Aladdin Stanhope in Staunton, but where?

Here's a perfect Aladdin Stanhope in Scotland Neck, NC (near Roanoke Rapids). Where is the Stanhope in Staunton? If you've seen it, please leave a comment below!

Be there or be square!

The Martha Washington was a grand and glorious house. According to this page from the 1921 catalog, it had seven modern rooms. I wonder how many "old-fashioned" rooms it had?

Here's a Martha Washington that was featured in the back pages of the 1919 Sears Modern Homes catalog. This house was built in Washington, DC, and shows the house shortly after it was finished.

This line drawing from the 1921 catalog shows those two bay windows on the side.

This was described as a "snowy white kitchen de Lux." For its time, this really was a very modern kitchen. Notice the "good morning stairs" too the right, and the handy little stool under the sink. According to a 1928 Sears Modern Homes catalog, the "average woman spends 3/4ths of her day in the kitchen." So maybe that's why she got a hard metal stool to sit on at the sink?

"Judge for yourself how attractive, bright and sanitary we have made this home for the housewife." And a "swinging seat"! I guess that's a desperate attempt to make kitchen work seem more recreational, and less like drudge work.

As you can see from the picture (1921), this was a fine home!

Be still my quivering heart! And it's right on Virginia Beach Boulevard!

A view from the side, showing off those bay windows.

The PVC fish scales over the porch are a pity (and do a fine job of hiding the beautiful fan light), and the badly crimped aluminum trim on that porch roof doesn't look too good, and the wrought-iron is a disappointment, but (and this is a big but), at least it's still standing.

The porch, in its pre-aluminum siding salesmen and pre-wrought-iron and pre-PVC state.

A comparison of the Martha Washington in DC with the house in Norfolk!

And here's a Martha Washington in Cincinnati, Ohio.

The Wexford was also known as The Bridgeport (1936 catalog).

It was offered in two floorplans, and "B" had a dining room.

Floorplan A was a bit smaller, with a kitchen nook instead of a dining room.

The Wexford, as seen in the 1936 catalog.

Is this a Sears Wexford? Can't say for certain, but I'd guess that it probably is, and my guesses are usually right! :) On this Wexford, the porch is not off the living room, but off of a bedroom (it appears). Note the details around that front porch. It's a good match! I'd love to get inside at some point and check for marked lumber.

This Wexford is in Cairo, Illinois on Roebuck Road (about 1/2 mile from the site of the original Sears Mill). Years ago, this Wexford was on Sears and Roebuck Road, but when the interstate came through in the 1970s, it sliced the road into two pieces. One side was renamed Sears Road (where the old mill was located), and the other side was named Roebuck Road. On my Garmin, it still shows the two pieces of this old road as "Sears and Roebuck Road." Ah, Sears and Roebuck Road: Married by commerce, divorced by the interstate.

Lumber was numbered with specific markings to help the novice homebuilder figure out how all those pieces and parts went together (1928 catalog). The marked lumber, together with detailed blueprints and a 75-page instruction book, enabled "a man of average abilities" to build his own home. Or so Sears promised.

Sears marked their lumber with a letter and a three-digit number. Usually. The font is solid (not stenciled) and about 7/8" of an inch tall. The mark can be found near the end of the joist, and also on the butt end (typically not visible after construction).

Sometimes you have to peak around a few obstacles to find the number. Sears marks had a method. "D" was used for 2x8s, "C" was for 2x6s, and 2x4s were marked with "A" or "B."

Sometimes the marks were not entirely straight. Photo is copyright 2013 Cindy Catanzaro and may not be used or reproduced without written permission.

And sometimes, they're a little smudged or fuzzy. Photo is copyright 2012 Andrew Mutch and may not be used or reproduced without written permission.

Here's a good example, because you can see the mark both on the butt end and also on the face of the 2x4. Plus, this photo shows how faded those numbers typically become with a little age. Photo is copyright 2010 Ersela Jordan and may not be used or reproduced without written permission.

Close-up of the 2x4 shown above. Photo is copyright 2010 Ersela Jordan and may not be used or reproduced without written permission.

Another typical example, showing how faded these marks become over time. Photo is copyright 2010 Ersela Jordan and may not be used or reproduced without written permission.

And don't forget to look up! Note how it's visible on the right, but not the left. Photo is copyright 2010 Ersela Jordan and may not be used or reproduced without written permission

Where's the mark? This is under a staircase, which, by the way, is a great spot for finding marked lumber. Another great spot is the plumbing access door (behind the tub/shower faucet).

Easy to miss, isn't it? And this is assuming bright lights, good vision and that there are no rats scampering around your feet. These marks are most often seen in basements, and the number of obstacles you're going to see in basements is staggering and distracting! Most basements are dimly lit and stuffed silly with all manner of trip hazards!

An extreme close-up of the mark shown above between the two arrows. By the way, it was also very difficult to see when I took this photo, and it showed up better as a picture than it did in real life.

Ersela took this photo and I thought it was a great photo, demonstrating how the ends were stamped (and how they fade with time). Photo is copyright 2010 Ersela Jordan and may not be used or reproduced without written permission

My favorite marked lumber of all is this Vallonia staircase in Columbia, Illinois. The owners were so very proud of their Sears kit home that they purposefully turned the treads and risers wrong side out so that everyone could see that they'd built a kit home.

Sometimes, you'll be looking for a different kind of "mark." This board was nailed to the underside of the floorboards of a Sears Osborne (as seen in the basement). The Osborne's first owner and builder, H. K. Mohr, had saved a piece of wood from the original shipping crate. The house was in Sidney, Illinois but had been shipped into the train depot at Boncard, Illinois. These shipping creates, marked with the owner's name, were often saved. It's not uncommon to find that the old shipping crates were broken down and the lumber was re-used to build a coal bin or shelving. Notice this mark is stenciled, not solid (whereas the numbers are solid, not stenciled).

You should also keep your eyes peeled for marks with blue grease pencil. This says "2089" and "Rose" (how apropos). This was found in the basement of a Sears Magnolia, and the first family's name was Rose. The Magnolia was also known as Model #2089 (hence the mark above). In the dark, dank basement, this mark was nearly impossible to see. The photo above was enhanced to make that old blue grease pencil easier to see. You'll going to have look long and hard to find some of these marks.

This isn't a "mark" per se, but it's something else to be on the look out for. Shipping labels are often found on the back of millwork (baseboards, window trim, molding), and in most cases, they don't say "Sears" but have a return address of 925 Homan Avenue, Chicago. Sears was located at the corner of Homan Avenue and Arthington Street in downtown Chicago. In later years, they created a brand name of hardware and plumbing supplies known as "Homart." This was a combination of their two street names.

In later years, Sears changed they way they did their marks. Jeffrey N. Fritz send me these photos of marked lumber found in his late 1930s Sears kit home. At first, I didn't know what to think. I'd never seen marks like this in a Sears House, but based on some other research he'd shared with me, there was little doubt that this was a late 1930s Sears kit home. By the way, Jeffrey if you're reading this, please send me an email or leave a comment! I can't find your email address! :) Photo is copyright 2010 Jeffrey N. Fritz and may not be used or reproduced without written permission.

Close-up of the marked lumber Jeffrey found in his Sears House. Photo is copyright 2010 Jeffrey N. Fritz and may not be used or reproduced without written permission.

Aladdin was another kit home company and, like Sears, they sold kit homes out of a mail-order catalog. Aladdin (based in Bay City, MI) sold about 75,000 kit homes, which was *about* 5,000 more than Sears sold. Here's a piece of wood - probably off a shipping crate - found in an Aladdin house ("The Colonial") in Oklahoma. According to Rachel Shoemaker, the folks in town had assumed that this was a Sears kit home for many years. Sadly, the name "Aladdin" has largely been forgotten. To too many people, kit home = Sears home. Photo is copyright 2012 Rachel Shoemaker and may not be used or reproduced without written permission

Here's another example of marked lumber that Rachel found in that "Colonial" (model name) in Oklahoma. This one borders on being artwork! Either that, or the Aladdin Stamper that day was pretty well sloshed. Photo is copyright 2012 Rachel Shoemaker and may not be used or reproduced without written permission

Yet another example of marked lumber found in the *same* Aladdin Colonial in Oklahoma. You can also see a bit of blue grease pencil scribbled in the upper left hand corner. Photo is copyright 2012 Rachel Shoemaker and may not be used or reproduced without written permission

I found this mark on an old Aladdin Brentwood in Roanoke Rapids, NC. It was very faint, but still legible. So this represents three distinct types of lettering on Aladdin kit homes. The first one shown above is stenciled, with capital letters. The second one is solid (no breaks in the lettering) and is all caps. The example from my Brentwood is first letter capitalized, with the rest lower case, and solid (no stencil).

Cindy Catanzaro found this in an Aladdin kit home. It's all caps, and stenciled (as is shown in the first Aladdin example above). Photo is copyright 2012 Cindy Catanzaro and may not be used or reproduced without written permission.

And Cindy found this mark in an Aladdin kit home (The Stratford). It's yet a fourth type of marking: Numbers separated by a dash. And here's where it gets even more confusing. I've seen identical markings in mid-1930s Sears Homes. Same format, same font, a couple numbers separated by a single dash. So for a time, apparently Sears and Aladdin used the same marks. Not to be confused with Gordon Van Tine/Wardway, which were several numbers, separated by a dash. Photo is copyright 2012 Cindy Catanzaro and may not be used or reproduced without written permission.

B. Maura Townsend found this blue grease pencil mark in her Aladdin Sherman (1912). It''d be great if we could break the "code." Is it a hand-written part number? That's the most-likely answer. Photo is copyright 2013 B. Maura Townsend and may not be used or reproduced without written permission.

I'm sorry to say I don't have a real-life example of a Gordon Van Tine/Wardway marked lumber, but this graphic from the 1929 catalog gives you an idea of what to look for. I've also seen just the numbers (no letter) separated by hyphens.

And this expanded view of the same image shows that Gordon Van Tine/Wardway also stamped *words* on some of the lumber.

Here's an example of blue grease pencil marks found in a Gordon Van Tine kit home in Oklahoma. Photo is copyright 2012 Rachel Shoemaker and Doug Lewis and may not be used or reproduced without written permission.

This is also from a Gordon Van Tine/Montgomery Ward kit house. Again, it was from the original shipping crate that contained some of those 12,000 pieces and parts. If you find an old plank like this nailed to the old coal bin or used for a shelf, it might well be a kit home. This house was sold to Mathias Ringer of Quinter, Kansas and shipped into Beloit.

Catarina discovered this mark on The Cheltenham, made by Lewis Manufacturing (yet another kit home company). Is it a part number or a model number? Most likely, it's a model number and yet in the Lewis Homes catalog, no part numbers are listed for the Cheltenham. Photo is copyright 2012 Catarina Bannier and may not be used or reproduced without written permission.

Is this the Gordon Van Tine #534? When I first saw this house, I was 80% certain that it was, and then when I really studied the photo and compared it to the catalog image, I changed my mind. And then last week, I changed my mind - again! Now I just hope the house is still standing!

It is exceptionally well planned! But it also looks BIG!

How wide would you guess that house to be?

And if you compare the two images side by side, you'd probably say that the GVT house is much wider than the little yellow house on the Eastern Shore.

If you look at the floor plan, you'll see this house is only 26' wide. Is the yellow house 26' wide? Yes, I'd say that it is. Does the house shown in the line drawing look 26' wide? Nope. It looks much bigger.

So, what if we were to skew the house a bit to make it look more like it was 26' wide?

If you do a side-by-side comparison of the GVT 534 (with the catalog image skewed), they look like a perfect match. If someone can figure out where this house is, I'll go back and get a better picture.

And there's also this fact. The little yellow house has the same windows as the GVT 534 and they're very distinctive windows. Plus, that pent roof is a unique feature. The more I study this house, the more I think it's a darn good match.

Looks like a match to me!

The Barrington, as seen in the 1928 Sears Modern Homes catalog.

And here's a beautiful example in Ann Arbor, Michigan. Notice the bracketing for the flower boxes (2nd floor window) is still in place. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Brookwood is similar to the Barrington but they have a few minor differences. Do you see the difference between the two? The Brookwood is smaller, and has two living room windows (and the Barrington has three). For a time, I'd get these two confused, and then it dawned on me that "Brookwood" has two syllables and two windows! Barrington has three! This is from the 1933 catalog.

And here's a fine-looking Brookwood in Ann Arbor. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Sears Dover was an immensely popular house and easy to identify, thanks to its many unique features (1928).

Here's a picture-perfect Dover in Ann Arbor. You may notice it has two windows down the left side, where the catalog has three. This was a very common alteration. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Another beautiful Dover in Ann Arbor. However, this house looks really cold. The extra snow shovels on the porch are part of that "chilly look" I suppose. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Crescent was probably one of the top ten most popular designs that Sears offered (1928).

Not only does it have the original windows, but it has the original wooden storm windows too, and even the half-round gutters are true to 1928. Are these original or just high-quality replacements? Tough to know, but they sure do look good. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Rembrandt, a classic Dutch Colonial, was one of their finer homes.

Another perfect match. Note that the windows on the 2nd floor are centered over those paired windows on the first floor. This single detail can help figure out - is it a Sears Rembrandt, or just another pretty Dutch Colonial? Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Sears Puritan was a diminuitive version of the Rembrandt (1925).

Like the Rembrandt, you can study the position of the windows to figure out if it's a Puritan or something else. The 2nd floor windows on the Puritan are NOT aligned with the first floor windows. Study this single detail, and it will help you easily differentiate the Puritan from the look-alikes. As with all these houses, also pay attention the chimney placement. Remodelings come and go, but chimneys don't move. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Another hugely popular house was the Sears Westly (1919).

Pretty, pretty Westly in Ann Arbor. Still has its original railings. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Rodessa was a cute little bungalow and very popular! (1925)

And this Rodessa is in wonderfully original condition! Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Hathaway was another popular house (1928), and distinctive enough that it's easy to identify. Just look at all those clipped gables!

Anther very fine match. Sadly, this house has been hit with some permastone (front first floor), but other than that, it's a dandy! Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Another fine little Hathaway in Ann Arbor. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

I wonder if the Realtor knows it's a Sears kit house? Based on my research, more than 90% of the people living in these houses don't realize what they have. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Conway (also known as "Uriel"), as seen in the 1919 Sears Modern Homes catalog.

Another snow-covered example in Ann Arbor! Notice the original bracketing under the oversized front gable, and that "phantom" brick pillar on the far right. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

As seen in the 1928 catalog, "The Ashland."

Where's a good chainsaw when you need one? Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

As mentioned, in addition to Sears, Ann Arbor also has kit homes from other companies, including Gordon Van Tine/Montgomery Ward, and Lewis Manufacturing. Shown above is one of GVT's biggest and bet kit homes, "The #711." Quite a house!

And what a fine 711 it is! By the way, this was a huge house, measuring 48' wide and 30' deep, giving a total of 2,880 square feet. I have to double check, but I believe this was the largest kit home that was offered by Gordon Van Tine, and size-wise, it's the same as the Sears Magnolia (also 2,880 square feet). Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Gordon Van Tine fulfilled all of the orders for Montgomery Ward (Wardway), and their catalogs were nearly identical. Wardway had a few designs not seen in the GVT catalog, and GVT had a few not found in the Wardway catalog. Shown above is the Wardway Laurel, as seen in the 1929 catalog.

That offset front porch is a distinctive feature of the Wardway Laurel. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Laurel as seen from the other side. That small side porch is original to the house, and surprisingly - in still open (as when built). Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Devonshire was one of those kit homes that was offered in the Wardway catalog, but not in the Gordon Van Tine catalog. It was on the cover of the 1931 (which was the last) Wardway catalog.

I just love that the Devonshire in Ann Arbor is painted the same colors as the house on the cover of the 1931 catalog. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Cranford was another house offered only in the Wardway catalog (1927).

I surely do love a house dressed up in pink. I really do. This Cranford is (like so many of the houses in Ann Arbor) in largely original condition. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

The Kenwood, as seen in the 1929 Wardway catalog. As with the Cranford and the Devonshire, the Kenwood was exclusively a Wardway home (milled, manufactured and shipped by Gordon Van Tine).

Is this a Wardway Kenwood? Most likely it is, but the inset door is not a spot-on match. However, this house has had a substitute siding installed, and the door may have been squared off to accommodate the replacement siding. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Perhaps Wardway's most popular house, the Priscilla was pretty and practical (1929).

And here's a fine example of the pretty, pretty Priscilla! Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Last but not least is Lewis Manufacturing. They were based in Bay City, so it's not surprising to find a kit home from Lewis there in Ann Arbor. The Marlboro was a very popular house for them, and for good reason. It was a real beauty, and a big house!

Ann Arbor's very own Marlboro. Sounds a bit poetic, doesn't it? The offset front door and the tiny closet window beside it are classic defining features of the Marlboro. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

That little closet window is still in place, but it's been partially closed up. Photo is copyright 2012 Andrew and Wendy Mutch and may not be used or reproduced without written permission.

Teddy loves learning about kit homes. She spends much of her spare time reading "The Mail-Order Homes of Montgomery Ward," and thanks to her tireless studying, she can be a great help when we're out hunting for kit homes. She's not called "Teddy the Wonder Dog" for nothing!

As mentioned, Gordon Van Tine (like Sears) also sold kit homes through mail order. While Sears sold about 70,000 kit homes, GVT sold about 50,000. Many thanks to co-author and dear friend Dale Wolicki for supplying the numbers of GVT sales!

The Sussex, as seen in the 1929 catalog.

What a fine-looking house that is!!

And here's my little pretty! The Sussex is also currently for sale! How exciting is that! Even the attic window is a spot-on match to the catalog page! Photo is copyright 2013 Leslie M. Hayes and may not be used or reproduced without written permission.

This comparison really shows what a perfect match this house is to the 1929 catalog image.

My great Aunt (Addie Hoyt) lived in this classic Victorian home, which was extensively remodeled (completely rebuilt) in 1895. Note the massive front porch, replete with three hammocks hanging from the porch posts. This photo as taken about 1899 or 1900.

Here's a close-up of those three hammocks. Very inviting!

Front porches were very inviting - by design - and also became kind of an "outdoor den" and social center. Here is Addie (facing the camera) playing poker with an unidentified woman friend on the front porch of her home. She captioned this photo, "We have a real kitty for the kitty!"

A contemporary view of Addie's home (2012). This photo really shows off those amazing porches. The second floor porches facing the street were sometimes known as "Parade Porches." This house has two second-floor porches. BTW, this house is now a famous Wisconsin landmark, and it's also a B&B. It's known as the Fargo Mansion Inn. Look below for a link to the site.

In 1957, my parents moved into this house at 515 Nansemond Street (Waterview) in Portsmouth, Virginia. It was built in 1924, and you can see the open porch is now on the side of the house. By the early 1920s, porches had migrated to the side, giving the homeowner a little privacy.

My parents loved this house, and they captured a picture that really showcases the idea of the "private oasis" and the side porch. This house was in the suburbs (of the time), and not many people were likely to be walking down the street (compared to downtown districts), and yet we still wanted a bit of privacy from the world. Between the long awnings and the tall shrubs, it's hard to see much of anything on that porch, and that was probably by design.

Close-up of the side porch. In the late1950s, my mother stepped out to her beloved side porch one summer evening and saw a bat hanging upside down in the corner. The next week, a contractor was at the house, screening in Mother's porch. She dearly loved that screened-in porch and spent many happy hours there, looking out at the side yard.

By 1925, front porches were a place to stand for a moment, sheltered from the elements, while you dug out your house keys. Or in this case, pose for an Easter photo (1957). My brother Tommy stands on the left, with Rickey on the right.

By the 1950s, porches had migrated to the back of the house. After a hard day at the office, we wanted our privacy and we didn't want to share our quiet time with strollers meandering down the street. There were new social rules. Visitors were by invitation only, and if someone decided to drop by (without calling ahead), we could hide safely in the back of the house, and they'd never know we were home. This house (my house) was built in1962. The porch on the back is invisible from neighbors on either side. When built, this was a screened-in porch with a cement floor. In 1979, the windows were installed, and the 12x14' room became a sunporch. We purchased the home in 2012, and did a few more improvements to the room (some repairs and the installation wall-to-wall carpet). This is now the place where we spend 95% of our time.

Even before proper porches, people tended to congregate in the front of the "old home place." This is a soddie ("the first house") in Dighton, Kansas. It was made of sod - literally.

Sears Westly, as it appeared in the 1919 catalog.

And here's the Sears Westly in Palatine, IL. They built an entire neighborhood behind it!

Palate cleanse after that last picture.

Westly in West Virginia. In fact, it's in Oakhill.

And here's a fine-looking Westly in Suffolk, VA.

This Westly is in my hometown, Porstmouth, Virginia.

A perfect Westly in Bellfonte, Pennsylvania. Photo is copyright 2010 Rebecca Hunter and may not be used or reproduced without written permission.

A colorful Westly in Metropolis, Illinois (home of Superman).

Red Bud, Illinois has several Sears Homes, including this one.

Ruh Roh. What happened here? Nothing good.

Eek. A Westly in Norfolk, Virginia. Eek (again).